Pequeño salvaje. Kiko Veneno
An album where Kiko transitions, it contains a jeweles like 'Y yo lucho'.
An album where Kiko transitions, it contains a jeweles like 'Y yo lucho'.
The best selling artists, those who have stood out on the sales listings singing in spanish, are put together in this three disc album. The first two discs are mostly rumba rhythm with important artists from Spain and in the third disc there are emblematic songs and artists.
A live album where Kiko collaborates with high profile artists of the likes of Raimundo Amador, Martirio and others.
Un ratito de gloria. 1,997 - 2,001, is the last album edited by Kiko; in this case, however, it is a compilation of an entire life of making songs. The 18-track album encompasses his entire discography with versions of legendary songs like 'Veneno','La muchachita','San José de Arimatea' and more recent tunes like 'La Familia Pollo'.
Ever since he started the band 'Veneno', Kiko Veneno has been considered the pioneer of pop-flamenco fusion.
'Noche de Flamenco y Blues', was recorded live at the Plaza de Toros Las Ventas, Madrid, on 29th July 1998 before a packed audience that enjoyed over two hours of non-stop music. Raimundo Amador, former member of the legandary flamenco band Pata Negra, had on the reigning king of the blues, BB King, his very special guest for the night. Among other guests were Kiko Veneno, Remedios Amaya, Charo...
In this, his first album recorded in Sevilla, the acoustic guitar is important, especially considering he hadn't used in any previous recordings, along with new drum rhythms making 'La Familia Pollo' an album with more variety. La Familia Pollo is Kiko Veneno at his best, telling stories of daily life. His music travels through Catalan rumba, Cuba, African and Brasil with a personal and...
This is an indispensable album to understand the evolution of New flamenco. An exquisite combination of lyricism and everyday circumstances, which Kiko's voice turns into poetry.
La Leyenda del Tiempo is one of the best pure Flamenco crossovers where Camarón opens one more different path for creating and enjyoing this genre. In this album only some elements of rock are intertwined with the more consistent Flamenco in Bulerías, soleares, etc. In his day, Camarón said 'The closest I have ever recorded to rock has been 'La leyenda del tiempo,' in it i took a chance and...
What is for sure is that each one of the artists who participate in 'Sabor Flamenco' looks to the south and is jondo in his own way.Camarón's soul is jondo when José el Francés remembers him when covering his 'Ya no quiero tu querer' or Niña Pastori ' De boca en boca'. The throats of Valderrama 'ahora te toca a ti' are jondo. The unorthodox conventialism of Chonchi Heredia ('Oh mare') and...